Enjoyed by Masters such as Turner and Sargent, these heritage watercolours remain championed by discerning artists to this day. Founded in 1932, the collection is renowned for its exceptional single-pigment colours, comprehensive spectrum and remarkably stable colours that endure over time.

Uncompromising in quality yet accessible, Cotman Watercolours are an affordable range available in half pans and tubes. Cherished by both prolific painters and novices for their versatility.

There is a wide selection of Winsor & Newton sets, from the Professional range to the Cotman series, more affordable and customisable combinations include mini themed palette sets such as Landscape and Floral. These become your portable studio, just waiting to be taken outside.

Selecting the right brush for your vision is vital for confidence, control and technique. For expansive, gestural washes, quills and mops excel, holding generous reserves of water and pigment to create soft blooms and flowing gradients. In contrast, sable and synthetic sable brushes allow for clean lines and consistency.

Brush sets come in an array of shapes and sizes, allowing artists the flexibility to switch between tools seamlessly while in midswing. They support a range of techniques - from wet on wet, where pigments blend and disperse organically, to using a dry brush for meticulous mark-making.

Mediums open up new textural and visual possibilities. Masking fluid can be used to preserve highlights. Iridescent medium infuses the composition with a subtle, luminous sheen. Granulation medium enhances the natural sedimentation of pigment, achieving a mottled effect that contrasts with smoother washes and soft blooms.

High-quality watercolour paper forms the foundation of any successful painting. From the precision offered by hot pressed paper to the textural effect of cold pressed, the paper plays a crucial role in the final outcome.

Watercolour pencils offer a clever combination of draftsmanship and painterly expression. Use them like conventional pencils for controlled line work or shading. The pigment can then be activated with a wet brush, dissolving into washes and softer gradients.