The revolutionary work of Kazimir Malevich
Learn how Russian painter Kazimir Malevich came up with a Suprematism, a radical new style that would shake the art world and still resonates today.
Winsor & Newton
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Visionary talents: five great artists who used Winsor & Newton
Our materials have inspired generations of artists, with painters as diverse as Turner, Munch and Mondrian using our colours for iconic works.
Iconic Nordic artist Tove Jansson’s unique folkloric world
A retrospective marking 100 years since Moomin creator Tove Jansson’s birth includes intimate portraits of her life on the Finnish archipelago.
Culture clash: five of the best musicians turned artists
From “lost Beatle” Stuart Sutcliffe to Clash bassist Paul Simonon, discover the musicians who returned to their roots as practising artists.
Inspired watercolour work by Mario Robinson
See how artist Mario Robinson used Winsor & Newton’s innovative Professional Watercolour Sticks to create striking, evocative portraits.
Building on tradition: watercolour where you least expect it
From Paul Signac to Sir Peter Blake, Tracey Emin and Grayson Perry, see how artists have used watercolour with a twist to create iconic works.
Five famous black paintings
Feast your eyes on these famous black paintings to see how black can be one of the most powerful hues in your palette.
Back in black
Black in a painting doesn’t have to be a “non colour”. See how modern artists use this most enigmatic of colours to striking effect.
Spotlight on: Indian Ink
The roots of Indian ink stretch back thousands of years. Find out how this artists’ staple was first used, and why it’s still so popular today.
A materials world: how artists choose materials
Some artists pick their materials with longevity in mind, while others are driven by an urge to experiment. Learn more about these all-important decisions.
The art of displacement
Examine the interplay of art and relocation, from artists who migrate for inspiration or career gain to works inspired by displacement.
Choosing pigments: Old Masters and contemporary painters
The Old Masters made their own paint from raw pigments, so their colours depended on their contacts and the latest developments in chemistry.
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