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Masterclasses
We explore two oil mediums, Artists' Painting Medium and Blending and Glazing Medium, examining the properties that make them suitable for certain purposes.
Our mediums are great additions to your palette to create new effects with your paint without diminishing the strength of your colour, we explore this with Acrylic Matt Gel and Acrylic Gloss Gel mediums. When…
Using Professional Acrylic Cerulean Blue, we explore the differences between Professional Acrylic Matt and Gloss Mediums. Cerulean Blue is an opaque, bright and lightfast colour which was created in 1805, from a new process which…
There are five types of Liquin mediums, each will help you accelerate the drying times of oil paint; the varieties are a slightly different formulation of the original. There is Liquin Original, Liquin Fine Detail,…
Understanding oil mediums: Thickened Linseed Oil and Stand Oil. Both are great for creating reliable mediums for working in layers. Thickened Linseed Oil is polymerized in the presence of oxygen to make it fast-drying and…
Impasto and Oleopasto are two mediums for oil paint that will accelerate the drying time of your work and provide extra body to your paint. Both add rigidity and therefore allow for strong mark-making and…
Exploring our range of metallic oil paint, this film shows the variety that can be found in our metallics: we have 6 different metallic oil paints and an Iridescent White.
Blending oil paint seamlessly from one colour to the next can be a challenge, we demonstrate how to do this successfully using opaque and transparent colours. First, it is best to use a smooth surface;…
Mixed Media works can provide an opportunity to experiment with different materials and see how they work together. This video demonstrates using two different methods to protect areas of a surface so that they can…
Acrylic paint can be blended seamlessly with the help of a medium. Winsor & Newton’s Flow Improver and Slow Drying Medium are two mediums that slow the drying of acrylics to give you enough time…
Sfumato is the practice of losing edges by fusing one colour into another to achieve a subtle transition between light and shade, a process credited to the artist Leonardo DaVinci and historically used to create…