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Three things to know when lifting watercolour

Lifting is not just the watercolourist’s answer to an eraser. It’s a widely-used technique for portraying smoky atmospheres, cloudy skies and other such effects. But from gently sponging out a…

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Understanding drying times for oil colour

Working with oil colour gives you a certain degree of flexibility while painting, as it takes longer to dry than other media. Should you want to alter your work days…

Guide
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Colour Story: Emerald Green

Emerald Green, also known as Schweinfurt Green, Paris Green and Veronese Green, is a bright blue-green named after the precious gemstone. Emerald’s distinctive colour is widely revered, and as such…

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Grey matter: a colour story of the old and new

Grey might be understated, as the neutral hue between black and white, and neutral – a ‘grey area’ dictates being in-between. But it is also wise and ancient – consider…

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Colour Story: Kyle Gallup

Kyle Gallup is an American artist who lives and works in New York. At the start of 2019, she was invited to London to take part in Winsor & Newton’s…

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Choosing pigments: Old Masters and contemporary painters

Today pigments and colours are generally widely available, whether in an art store or online. While some artists might choose a limited palette, the number of colours on offer is…

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The colour palette of LS Lowry

“If you go out on the edge of Tianjin or São Paulo, you’ll see industrialisation is still taking place in this kind of raw and immediate and often brutal and…

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