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Designers' Gouache

Further Information

This section gives you some additional information and useful facts about Designers' Gouache. 

History
Why use Gouache?
Who uses Gouache?
Discontinued Colours
 

The History of Gouache

Gouache is actually both a technique and a product.

The tecnhique, dating to before the Renaissance, refers to the use of white to achieve opacity in water based colours. Originally used for illuminating manuscripts, it was Paul Sandby in the 18th centruy who first used the painting technique extensively and later the Pre-Raphaelites. Opaque techniques were further popularised by the Impressionists and Post-Impressionists, in their use of pastel, lithography and wood cuts.

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Historical advertising for Designers' Gouache

Gouache, the product, was a result of this interest in both opaque and water based products. Poster colour appeared after the First World War and this was significantly improved upon by Winsor & Newton, with the introduction of Designers' Opaque Water Colour in the 1930's.

1930s tube1930s tube

Tubes 1977 to 2007Tube designs L-R: 1977, 1986, 2008

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Why use Gouache?

Gouache is a very versatile paint which can transcend the boundaries of many mediums. It can make a wash like a water colour, blend like an oil colour and dry brush like acrylic.

It can be used thinly for a wash at the start of a painting then applied in thicker layers towards the end. Due to its opaque nature it can be applied in solid colours, allowing you to paint in layers from dark to light.

It is a direct and quick druing paint with superb covering power which is achieved by the high levels of pigmentation (not by the use of fillers or opacifiers). Unlike transparent water colour, where you need to plan and reserve the white of the paper, gouache is more controllable and enables you to remove mistakes and re-paint.

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Who uses Gouache?

Designers - its ease of use, brilliance, quick drying and matt finish make it the most popular designers' and illustrators' colour. The opaque, matt finish makes for more accurate reproduction at artwork stage as it minimises reflections.    Casablanca in gouache 
Fine artists - use it in conjunction with water colour or on its own as opaque water colour. Its brillance and opacity give it solidity, excellent for abstract work and extra details. Strong effects also result from the contrast of working on colour backgrounds which are left partly exposed.    Mark Jesset painting in gouache 
Calligraphers - gouache is used by calligraphers because of its excellent flow, opacity and permanence.    Calligraphy in gouache 
Marblers - the high pigmentation and gum arabic base make it a common choice with professional marblers.    Marbling in gouache 

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Discontinued Colours

Colour
Code 
 
Colour Name  Reasons for Discontinuation   Nearest Equivalent in Range  

006


022

092


097


102


148

181


260


270

271

287

297

309


378

414


463

467

471

930

544

574

591


603

668

694

708

Alizarin Rose Madder

Azure Blue

Cadmium Primrose

Cadmium Red Deep

Cadmium Red Pale

Chinese Orange

Cobalt Pale Hue


Fluorescent Yellow

Forest Green

Geranium

Golden Yellow

Grenadine

Havannah Lake


Madder Carmine

Mistletoe Green


Parma Violet

Peacock Blue

Periwinkle Blue

Process Black

Purple Lake

Rose Carthame

Rose Malmaison


Scarlet Lake

Ultramarine Deep

Viridian lake

Winsor Emerald
Poor lightfastness.


Can be mixed by the artist.

Can be mixed by the artist.


Replaced by cleaner brighter cadmiums.

Replaced by cleaner brighter colour position.

Close to Venetian Red.

Can be mixed by the artist.


Poor lightfastness.


Close to Permanent Green Middle.

Very close to Primary Red.

Very close to Cadmium Yellow.

Poor lightfastness.

Poor lightfastness. Mixed pigment colour.

Very close to Alizarin Crimson.

Very close to Permanent Green Middle.

Close to Spectrum Violet.

Can be mixed by the artist.

Close to Ultramarine.

Close to Designers Lamp Black.

Can be mixed by the artist.

Poor lightfastness.

Poor lightfastness. New opera's are brighter

Very close to Flame Red.

Very close to Ultramarine.

Can be mixed by the artist.

Can be mixed by the artist.
Permanent Rose


Phthalo Blue + Winsor Green

Cadmium Lemon +Cadmium Yellow Pale

Cadmium Red +Red Ochre


Cadmium Scarlet


Venetian Red

Ultramarine Green Shade +Zinc White

None


Permanent Green Middle

Primary Red + Rose Tyrien

Cadmium Yellow

Spectrum Red + Flame Red

Perylene Violet


Alizarin Crimson

Permanent Green Middle


Spectrum Violet + Light Purple

Phthalo Blue + Intense Blue

Ultramarine

Lamp Black

Light Purple + Black

Winsor Red + Primary Red

Primary Red + Rose Tyrien


Flame Red

Ultramarine

Cyprus Green + Brilliant Green

Brilliant Green + Winsor Green + Zinc White

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