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Traditional Pigments of the 19th Century

The 19th century saw the most exciting developments in new pigments since the ancient Greeks of 2,000 years ago. The industrial revolution brought new processing methods at the same time as man’s understanding of chemistry blossomed. In particular the ability to process heavy metals into an ever widening spectrum of colours. Colours which we now regard as traditional, such as cadmiums and cobalts were developed in this era.

  1. Cerulean Blue - Cobalt Stannate, a permanent blue first introduced in 1821.
  2. French Ultramarine - First made in 1824 as a result of a competition sponsored to produce a synthetic ultramarine.
  3. Cadmium Yellows - Introduced at the 1851 Exhibition, they provide great opacity and permanence.
  4. Viridian - Hydrated chromium oxide. Introduced in 1859, it is both permanent and transparent.
   

 

Working with the most famous colour chemist of the time, George Field, we invented new pigments with greater brightness, permanence and variable opacity. New colours were invented in the company’s unremitting perseverance to improve the artists’ palette. Winsor & Newton were the first company to publish permanence ratings in 1892.

  1. Alizarin Crimson - Introduced in 1868, it is more lightfast than Carmine.
  2. Cobalt Colours - First discovered in 1780, cobalt colours have formed a significant part of a painters' palettes ever since.
  3. USA Sample Case - Used by our USA representative in the 1880's, it shows a display of Winsor & Newton pigments.